from "harvest: a book of signifiers" (fall 2001, Talonbooks)
letter(s) to derek
- for beaulieu & Courtney Thompson
WHY WOKE SO EARLY, WAS SENSE, IN DREAM,
what so long distracted from, torn
envelopes, endless thru the mountain foot & wild,
yr city
from the centre onward, seemingly forever.
I MUST NOW FATHOM
the picture in the same story, all the weathermen
have short haircuts, & weatherwomen
shorter skirts; what is it
were supposed to be looking at. in two weeks you are
married, & where will
i be, here where i have always, waiting
for my favorite bar stool
to empty. dean arrives
or kristen, peering
over the pews & drunken sots
to bring my own about: marry
words to this empty page.
THEN, HAVING DRUNK SOME ON PLANE,
it never falters, hangover
in the air & drunk on the ground, quick flight
out of the last spring calgary
to vancouver, & nearly died then, sat down
on the floor waiting for luggage
when the madman arrived; my
travelling companion
collected them. was a thing
like love (lust, really) she didnt even
recognize (wore
clark kent glasses). in every city
having to save her from men who fell in love, but for
the coastal stops - halifax,
vancouver - saving her from men
& women.
I WASN'T SURE JUST HOW MUCH WOULD BE NEEDED,
a way of making sounds, & not just
hearing them. suspending & offending disbelief,
no one can publish cartoons
& call it poetry, somehow did. (what
does broken pencil know, or
canadian literature.) how
blaser said, that truth
is laughter, all those toronto boys
finding the mechanizm to move but not the
humour there
the way you did, or adeena
in new york alphabet city
who finds derrida
hilarious. funny, she says. (now is that
funny haha, or funny
peculiar?
THE MESCALIN CLEARED OUT A LOT OF GUNK,
but left just as much other stuff,
where the rollercoaster rides you up,
then drops. email
from uncle dave in toronto
who swears by it, tells
me stories, tho
been silent for a while. who
knows
just why. i could talk
of marriage but what do i know,
once a baby & a wife,
not married but held
in all the ways it
matterd, in all the ways it
needed, but what
changed, life
a matter
always getting in the way.
IMAGINATION OF ONES OWN LIFE,
or telling confabulated lies, its where
the poem takes you. the escalation
of what you make up. or
those details still unalterable. the poets
fiction. police cars roll down
bank street looking
for trouble, but anyone looking, they say,
will (eventually) find it.
THROUGH THE WALL, HEAR IN A CURIOUS INTIMACY
of thin hotels, & the bodies going on
around them. ive been across the country
but still get lost
in parts of my own.
what would i say, if i were
going to, of
one + one in a whole, dont think
i would, id probably
keep it to myself. id probably
keep it quiet
& be afraid for you more than anything. (say tho,
make sure
anniveraries
keep, my exwifes
birthday tomorrow,
& i still
not even got a card.
NAGGING SENSE OF NOT HAVING GOT TO IT YET,
whatever it might be, what purpose
for writing, if indeed a purpose
is needed here at all. a note
or letter saying vague hellos,
& marital kudos.
i liked
that day we drank wine in yr living room
the day after you moved to new house, tho you were
too distracted
in searching to react, courtney
rolling her eyes, dis
combobulated even.
& yr calgary streets, probably
work in a system
that makes sense, but dont mean
its one ive figured,
or feel the need to.
SOMETHING THAT STICKS IN MIND, ACTUALLY, A FAMILIAR QUESTION,
of doing in the first place,
mapmaking
vs chaos. the artist i met
in fredericton who takes apart city maps
w/ an exacto-knife, weaving threads
of street & stream
thru page vs page.
ALL THE DAY HAS SEEMED ECHO
& going hey & that,
a conversation, from one live tension
& soft, back. neck strains
from listening. where yr initial point,
& carefully giving in.
dean says its all about respect,
& stepping
where the magazine
& out there, distributed freely
to more than the albertan
sense of locale,
sitting in your, whats that,
cowboy city.
IVE BEEN TRYING TO KNOW WHAT IT IS TO BE,
tho the definition is always changing.
rhonda, telling me this morning
she had to write a paper
on what it means to be human. what
does it mean, i askt?
it means
wanting to know
what it means, to be human. captain kirk
was right,
i said.
AND WHEREAS NOW THESE DILEMMAS OF HOW TO BE OF USE,
or what, john newlove
visiting daily space, quoting funny lines
from history, one
of the caesars, or how infantrymen
were there
to provide colour
to an otherwise ugly brawl. too wit
to its sharpest point
& pounded. he hadnt been by
for the longest time
& we were worried abt his health, short bout
w/ sardines & food poisoning.
already
addressing the box
to who another tin should go.
EVEN TO BEGIN TO SAY THIS TAKES EXTRAORDINARY CARE,
tho there are some that make it sound
so easy, the ones
starting just at the beginning. wind blows
paper from the writing table. no money (no fuck). or the
voices snow background, cant afford
even postage but for stamps
the exwife lifted
from her last job. what id
do w/out her i dont know, tomorrow taking
her & girl child to lunch
for one more birthday, six months
behind me. & right now
wanting to see twenty-nine
w/ a brand new do. as she tells, good hair
can make
all the important difference.
WHAT DOESN'T SATISFY IS WHAT HAD, AT THE OFFSET,
seemed to make perfect sense. stringing
words off one against another into
sequiturs & related babble. am i
making any sense to you, in that west
from this east? the last time
you were here, in my
patch of earth, self
injury sustaind, & still
a lump on my left foot. my mother
says its permanent now, certainly, a
year & a half later.
she says
lots of things, tho.
many dont make sense, or worse,
relate. (where i
must get it. one day, like
her, like my grandmother
singular burst
fires pure gold
amid hundreds. becoming fewer
& fewer. old les nessman,
a band-aid on a different bit
every episode of wkrp/
rounded
at the free end.
DRIVEN TO IT, NOT BY NEED OF SOME EXTERNAL KIND,
waiting to see where the rest of it goes, exploding
in yr face. saint barbara, former
patron saint
of sudden death, till she was passt off
by popes
as fable. forced to go
w/ pontiff-du-jour,
tearing churches & altars down. thats gotta
smart. writing for the what
of when to say, whatever.
seeing langauge for what it is,
a movement,
& a music, gone by soundlessly,
even spoke. who differs
to beg.
BUT THE GIRL SAID, PRACTICAL OF HIM -
gene simmons of kiss, who foregoes
those institutions such as marriage but has
a lady, kids. who once
collected nude poloroids
of groupies that hed
slept w/, after concerts. he claimd, encore
after encore. the t-shirt sales
must have gone thru the roof.
FORMALIST, HE FOUND HIMSELF STRAIGHTENING THE RUG,
but some things cant be helped,
broke
the chaos to write another note,
the girl who works
in his publishers office. (the mom
& pop shoppe.) as quiet
as a mouse but just
as mighty (who knew), as aesops lion
caught in council net.
what can & lit equals, our freedom
to read week, in canada,
or freedom
not to read. get serious.
HAD THOUGHT OF SENDING, MESSAGES OF SORT
s, to other places, but get always
dis
jointed, got those
limbs in a knot. ruby red in toronto
a letter
always mean to send but never happens, the slow death
of collaborative forms, & the other side
of the exercise
or the rain
that falls from above. my mum
a bag of envelopes today
& not a single personal note, large package
from george, a sentence writ
& everyone else asking for something. (send this
in the mail twice when i do, one
back, to
myself.
SUNS INTENSITY AT THE WINDOW MUCH LIKE THE DAY
i just escaped from, stepping thru
the dark pub dank, black pen
& paper stack. loose
leaf. the end of summer & yr impending
marriage. (i almost said
doom, but that would be
a burn, & unnecessary,
the next logical step
from impending, what else
unravelling at that edge. the walk
down the carpet aisle, family filld
& confetti (instead of rice,
what symbol
& then hope
for fertility. when love
meant children.
GOING TO SLEEP. WAKING UP. MOVING.
keep doing that to
prove something, that we
even (begin to) live. i could tell you stories
boy. the paper
& the printed word. rolling from bed
& making notes in the
night stand book,
if i were so inclined, which i
(my future papers)
just might.
(or waiting to be included.)
- write when you can, a postcard
even
from the honeymoon. ill be waiting
by the mailbox, breathing,
not breathing.
aug 18.00
ottawa, ontario
rob mclennan
the lines in bold are sampled from Robert Creeley's collection A Day Book
(1972, Charles Scribner's Sons).